When Roy Lichtenstein exhibited his oil-painting Look Mickey at the Leo Castelli Gallery in New York in 1962, it marked not only the artist's international breakthrough, but also the official entry of comic adaptations into contemporary painting. Although other artists had already incorporated comic quotations into their work since the late 1950s, Lichtenstein's depiction of Mickey Mouse and Donald Duck was a milestone in Pop Art history. It was the criticism of the superficiality and self-righteousness of American society that was made visible precisely through this banal, uncompromising transfer of pop-cultural quotations into the visual arts. An artistic approach that many of the Pop Art artists adopted. As a demarcation from intellectualized American Expressionism and in times of increasing technologization, they attempted to fuse art and life with each other and to implicify the claim of the art traditions handed down.
THROUGH THE FACADE: Super A
When Roy Lichtenstein exhibited his oil-painting Look Mickey at the Leo Castelli Gallery in New York in 1962, it marked not only the artist's international breakthrough, but also the official entry of comic adaptations into contemporary painting. Although other artists had already incorporated comic quotations into their work since the late 1950s, Lichtenstein's depiction of Mickey Mouse and Donald Duck was a milestone in Pop Art history. It was the criticism of the superficiality and self-righteousness of American society that was made visible precisely through this banal, uncompromising transfer of pop-cultural quotations into the visual arts. An artistic approach that many of the Pop Art artists adopted. As a demarcation from intellectualized American Expressionism and in times of increasing technologization, they attempted to fuse art and life with each other and to implicify the claim of the art traditions handed down.